The day before her mother's memorial, Caroline realizes she has lost her mother's ashes. With no time left and fear of causing her sister Josephine further grief, Caroline must decide what to do.

Glasgow-based artist Phil Collins’s film Soy Mi Madre examines the immigrant populations of Colorado’s Roaring Fork Valley, a sizable percentage of which hail from northwestern Mexico. The region relies heavily on service and maintenance work provided largely through this population, who often commute to work in Aspen. Loosely inspired by Jean Genet’s The Maids—a seminal example of Theatre of the Absurd that renders surreal the intricate power dynamics that exist between people of divergent socioeconomic groups and exploits the volatility of social identity—Soy Mi Madre portrays the social realities of this region through the melodramatic lens of the telenovela. Reproduced in this volume through a generous selection of stills, the film uses popular Mexican television actors and crew, including Patricia Reyes Spindola, Zaide Silvia Guitérrez, Veronica Langer, and Salvador Parra, as well as members of the transsexual prostitute community of Mexico City.

With an empathetic and intimate lens, veteran filmmaker Denys Desjardins captures his elderly mother's experience of neglect in Quebec's healthcare system and his sister's fight to secure her an acceptable long-term care solution.

When the heroine of the film gets what she always hoped for, she becomes miserable and unhappy and really misses what she had.

Steve searches for someone to play a board game with.

When a woman becomes pregnant and tells the news to his mother is revealed to him that she is adopted. Then decides to search for his biological family and hired the services of a private detective.

In a documentary that spans two continents and several generations, acclaimed director John Paskievich delves into the experience of exile and its impact on the human spirit. Almost fifty years after his family fled Ukraine for freedom in Canada, the filmmaker visits his parents' homeland. It's a place both familiar and foreign. Drawing on his years growing up in Winnipeg, Paskievich explores how children of refugees and immigrants are caught between two worlds. While they struggle to put down roots in a new country, they must also preserve traditions of a distant land they have never known. Paskievich's journey through Ukraine is interwoven with stories of displacement from other prominent Ukrainian Canadians--authors George Melnyk and Fran Ponomarenko, filmmaker Bohdana Bashuk, director Halya Kuchmij and dancer Lecia Polujan. A rich tapestry of memory and history, My Mother's Village brings to light the humour, anger, joy and complexity of living between borders.

For the post-war generation in Latvia, the dream of the “good old days” became a significant part of the process of regaining independence. The dream of restoring the countryside to the way it was during the first independence is only now seen by most as naïve and unreal. Six episodes that reflect the historical development in the nation parallel to the fate of the director’s mother are used to explore the effects of political order on everyday lives. Though she is now leaving the countryside, the process of moving her life provides a visual stimulus for memories.

Nanayaa finds favor in the heart of the king but the king's brother will not allow her to be. Because of greed, Boakye puts himself in a compromising situation and soon he dances to the consequences.

A young woman's mother is found dead in the home they both live in a year after her fathers unsolves suspicious murder. The police think the daughter may be responsible so she and her friends must prove she is innocent.